Untitled Time began as the darkroom performance and continues in the ever present now to agitate the rule book of what is photography as art. C-type prints in hyper-real-colour hold gesture as documentation (2013 - ongoing).

The print is a remnant indexical only to itself. In iterative exhibitions the artwork endures; mopped with bleach, hung out an external two-storey building, duct-taped in walkways, sandpapered, hung by metal rope washed in machines and set in concrete headstones.

Formally exhibited at The Australian National University Graduate Exhibition (2015), M16 Artspace Canberra (2016), Platform by Canberra Contemporary(2017) and Sandbox Studios Melbourne (2023).